![]() Larry Levan DJing at Paradise Garage, New York, 1979. But as the use of digital hardware grew during the 80s – making songs easier to remix from top to bottom – the era of cutting and chopping faded. Other DJs such as Larry Levan and Ron Hardy would craft edits for their own signature use. While Moulton himself was never a DJ, fellow pioneers such as Walter Gibbons, François Kevorkian, Danny Krivit and John Morales would use their experiences in the booth to inform their incredible disco edits. As music began to be more dancefloor-focused, a new type of producer emerged: someone who could slice and dice the tapes to reimagine the structure of a song and create the most energy. ![]() It started when New York’s Tom Moulton began experimenting with reel-to-reel tapes to extend the duration of danceable soul and funk hits of the early 70s, bursting them past the confines of a radio-friendly play length in order to keep dancers on the floor for longer. But it was not always thus: the first disco edits heralded the beginning of what we recognise as dance music culture today. Afraid to Feel has the integrity of the original song, which makes it closer to a disco edit than anything the charts have ever seen before.īut what is a disco edit, exactly? In 2022, the term is so wonderfully broad that it essentially refers to an old record that has been tweaked or embellished to sound banging on a dancefloor. It is not a remix, nor is it a case of merely wielding a catchy hook and looping it up (like the Bucketheads’ evergreen The Bomb!, which samples Chicago, or Big Love by Pete Heller, which samples Stargard). “That came from just messing about with the tempo in Ableton Live,” explains Larkman, saying such software allowed them to “do pretty much anything with it”. “I was deliberately digging around for samples, going out of my way to find loops and vocals to use.” LF System jacked the tempo up from 85 to 130bpm, as well as adding big hoofing drums on the drops, some clever filtering of bass frequencies during the low-key bits and an excellent sweeping tempo drop. “We found the Silk track around 2019,” explains Finnigan. Released in 1979 on the Philadelphia International Records label (also home to Billy Paul, the O’Jays and Teddy Pendergrass), Silk’s I Can’t Stop (Turning You On) is the basis for the looped verses and chorus of Afraid to Feel. Ready to find the inspiration you need to get dancing? Read on for 23 of our favorite wedding dance floor ideas.It’s an unconventional banger, based entirely around a slow, seductive Philly disco obscurity by a band called Silk. And from striped and checkered patterns to lettering on the floor, not to mention sky-high ceiling decorations to bring it all together, there’s a beautiful dance floor décor idea that will perfectly fit your overall aesthetic. Whether you utilize an existing space and dress it up with gorgeous lighting and décor, or you bring in a custom dance floor to really make your venue space your own, the options are endless. The beauty of choosing your dance floor set-up is that it’s all up to you. Plus, you and your partner will get to share your first dance as a married couple in a lovely setting. ![]() A dance floor creates a welcoming space for guests to feel comfortable letting loose to their favorite song. To be sure you’re putting your best foot forward, you may choose to have a dance floor at your wedding. ![]() Once your vows have been said and dinner has been enjoyed, it’s time to dance! And for many couples, especially those who love to kick up their feet, this is the highlight of their celebration. ![]()
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